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A lot of sure-fire way to spot a lurching film failure: look at the stars. Not in astronomical terms, but who was, and why he did not receive the addendum. Have you heard about Clint Eastwood in Mystic River a long time before he came because it is big cast, and they were all excellent in the film. Furthermore, the film itself was brilliant, one of the best this year. So, one can not help but wonder why a movie starring Robert De Niro, Gabriel Byrne, Harvey Keitel, Kathy Bates and F. Murray Abraham (all talented actors) was released and forgotten in a week? It happens once in a blue moon, but when it does, look! You are about to witness top-down, as nobody in the world has seen. Stand in awe Mary McCarthy Gakkian in The Bridge of San Luis Rey, really, honest to God miss.

Thornton Wilder in the famous novel was withdrawn three times, including this one. The story is interesting and its ideas on religion and corruption is certainly timely. Brother Juniper (Gabriel Byrne, wasted, as the development of a senseless device) has recently collected data and put it into a book about five souls who lost their lives when the Bridge of San Luis Rey collapsed. The book implicates a little plot in the bridge collapse, but the Archbishop of Peru (Robert De Niro) sustains that it was an act of the devil, and that Juniper’s brother, and his books are calculating heathens. Most of the film is a flashback of the events that led to the failure of the bridge, mainly concerning the wealthy Marquesa (Kathy Bates), a young actress Dona Clara (Emilie Dequenne), as well as their relationship with the Viceroy of Peru (F. Murray Abraham). In Viceroy has impregnated Dona Clara and is a bold faced hypocrite on the first shunning Marquez, and then do Dona show her respect and humility. One who seemed to really care about the poor actress is Uncle Pio (Harvey Keitel), the current leader of the troupe that Dona Clara is in. The film operates as a violation of the bridge, and the court decided on Brother Juniper. Neither goes well, as you might imagine.

So, why is this film so bad? There are many reasons. The film wants too much, packing at least seven or eight stories that could be their own great movies alone. In forcing them all in two hours, a block of time makes the characters as flat and has no time for us to create an emotional relationship with them. Robert Altman and PT Anderson to make films with several stories, but they are connected in such unexpected and wonderful ways, and the characters time to breathe and become unique and compelling. In McCarthy Gakkian movie, we know that the structure of the story, and we know the role of each character in the story thus rehearsed that even in the event of any character is well detailed, they are not important to us as more than plot device. To make matters worse, the plot, what this means is only implicit. We do not feel paranoid or scared forces above and, frankly, we do not feel contempt for the Viceroy or the Archbishop. Heroes are so flat and inconsequential that we just watch them, waiting for a break in the monotony. The film, ultimately crime is that we simply do not care who or anything in history, and for that you can blame McCarthy Gakkian twice, as she wrote it as well.

Earlier this year, I went to a sneak preview F. Gary Gray Be Cool, in Barry Sonnenfeld continued in the feisty, fantastic Get Shorty. A walk from the theater, I said that in the worst film of the year by long-time friend who agreed with me on the spot. At the end of the movie, I realized that Be Cool does not deserve this honor, but it’s too goofy, and aware of themselves as a true atrocity. This, for the moment, the worst film of the year, because of how seriously it takes itself, and how important it wants to be. Make-Bobby wants us to see it as “Age of Innocence, The House of Mirth, and children from paradise is not for the lyrical poetry and deep emotional core that those films invested in. This is a fraud of the highest order.

Click here to download The Bridge of San Luis Rey movie…

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