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Glen Morgan to the Black Christmas is not just last until the 1974 cult classic that this deliriously entertaining love letter to the whole genre of 70 and 80 in slasher movies. In his highly creative murder sequences and twisted sense of humor, he plays not as a slasher film, as most of them were in fact (as most entries in the genre have been quite idiotic), but as ageing fans remember them through forgiveness from the haze of nostalgia. It’s like Prom Night or My Bloody Valentine reimagined in film genuine wit and style. Writer-director Morgan and James Wong producer collaborating on a number of other horror films, including two from the final destination photos and underrated Willard last, and in each of his movies, they were able to breathe in disreputable cinematic milestones of their youth with the self-aware yet passionate Intellect. If the final destination is the inventive variations on the theme of “dead teenager formula for the first time by Friday, 13 Black Christmas is for the whole genre of slasher movies that Kill Bill was before the 70-grindhouse flicks in a pastiche that smarter and funnier than his movies Copying off.

Like the original film, Black Christmas of the following groups of sorority sisters still in school, just before Christmas, as they gather at a friend’s killer, who terrorized them with creepy prank calls. Several symbol image aside, it is Black Christmas is quite different in tone from the original, where the 1974 film was subtly disturbing, the new movie goes by the throat right from garish prologue and never allows action. This is indecent, disgusting and morally-offs, and if this film is every respect. Morgan’s script provides all the horror fan could want: Murders are the most unique disgusting Happy Birthday, because to me, inevitable backstory that affects the murder today is ingeniously warped and file consists of attractive, but vapid young women NGOs whose demises satisfaction and anxiety are equally. One complaint: if Morgan was really determined to put the ultimate slasher film, there should have been a LOT more gratuitous female nudity.

There has been a lot of chatter on various websites horrified at the fact that an act of blasphemy, it will continue until the Black Christmas, but also those who believe that the original compared to the current version is wallowing in self-indulgent childhood nostalgia. By all criteria, it will continue until a superior film is funnier, more efficient pace, and much more stylish. The ideal type of prolonged that it pays tribute to the original (as with a number of clever visual quotations, as well as in the casting of original cast members Andrea Martin in the pivotal role), and raising his new ideas and images. In the best tradition slasher film, Black Christmas manifestly absurd, when it comes to physical limitations (or lack thereof) of her killer, but the movie “courage in the creation of villain who can do the impossible is part pleasure. Critical lack of reality in the picture as, how to complain about the lack of belly laughs in Children Men. Large slasher movie determined two things: energy and deranged sensitivity, and Black Christmas contains both attributes in abundance. in cinema is a gorgeous widescreen flat, in a word can be used in rare cases, the reference to clunky Canadian tax shelter flicks that of most of the slasher cycle of production in the late 1970’s. Morgana I gleeful desire to shock audiences with both grief and delightfully perverse backstory is infectious, at least if your idea of a great holiday movie is a movie, where the guy uses his milk to wash down Christmas cookies from human flesh. This season, if it is between Will Smith as a homeless guy, who is an expert on the Rubik cube in a heap of trouble and being stalked sorority sisters in the deep psychological, I take it last.

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